Tuesday, June 10, 2014

A Review of James Newman's Ugly as Sin

With a tale and voice that hearkens back to the glory days of the WWF and The Undertaker, James Newman’s Ugly As Sin is a gritty page turner that crawls under the skin and becomes that itch you scratch till it bleeds.

Nick Bullman has spent his youth cultivating celebrity. As a wrestling star known as “Widowmaker,” Nick has his share of wealth, fame, and plenty of breasts pumped full of plastic. But it’s a fateful meeting with two delusional, knife-wielding fans that alter the course of Nick’s life. Newman digs deep, finds the words and imagery that make the story burn, and the result is nothing less than pure nightmare fuel. The horror here lies in the very real possibilities of an event like this, and the curtain is never dropped. The reader is up front and center as witness while the men carve their madness into Nick’s face, leaving him a horribly disfigured monstrosity.

After the incident, Nick finds himself back in his hometown, Midnight, North Carolina, at the request of his estranged daughter, Melissa. While Nick was no doubt a terrible father in the past, he hopes that he can make steps toward something better, something good. In doing so, he agrees to help Melissa find Sophie, her daughter and Nick’s granddaughter that he has never met.

What follows is a galloping, blood-smeared good time. Newman has a unique talent for setting. Time and time again I felt as if I had stumbled into my own childhood in a small, white trash town. If Newman himself didn’t grow up in such a town, I’d be mightily surprised. If you’re like me, you’ll lose yourself so completely that you’ll inevitably feel as if you’ve stumbled down a rabbit hole somewhere and woken up right back where you were born.

Newman takes characters that are typically marginalized and lets us root for them. Leon, a tweaker and Widowmaker’s biggest fan, becomes a character that both surprises and breaks your heart. I admire a writer who is able to see the nuances of both good and evil in every character. Even Koko Puff, who is meant to be despicable, has clear motivations, and I appreciate that Newman doesn’t rely on used up tropes and stereotypes. But there is the despicable here, too, and in “Daddy,” Newman has crafted a character that genuinely sets the skin to crawling.

I didn’t expect to enjoy this book. I’ve never been a fan of wrestling, but it only took two pages to hook me. I’ve seen others call this book “white trash noir.” I’d have to wholeheartedly concur. But for Newman, “white trash” is anything but an insult. In fact, I’d call it high praise. I sincerely loved this book, and look forward to reading more from this highly talented author.


Wednesday, June 4, 2014

Dark Oddities: A Review of Shock Totem 8

Eight issues in and Shock Totem proves once again, that when it comes to unnerving the ever-loving piss out of its readers, they definitely have the stuff. I admit that I have a slightly biased love for this particular publication given that my own work has appeared there, but in every issue the quality gets better and better. At the end of this reading, I sat back and whispered, “Goddamn.” Because I was jealous.

I’ve read quite a bit about—not to mention seen more times than I can count—Marnau’s Nosferatu. Modzelewski’s article taps the vein of the well-known vampire tale and examines this particular film’s influence on modern vampire culture.

John C. Foster’s “Highballing Through Gehenna” is Old West meets nuances of a pre-apocalyptic world where terrifying creatures roam uninhabited plains. An unassuming family man takes center stage as a train barrels toward uninsured safety.    I’m glad I stuck this one out. Much like the steam engine at the heart of the story, it took a while to really get rolling, but once it did…

“We Share the Dark” by Carlie St. George blew me away. There are subtle emotions at play here, and the author uses a tightly controlled hand. What could have been just another ghost story becomes much, much more. The impact and resonance of loneliness and need for intimate connections hit hard. This may have been my favorite of the bunch.

Catherine Grant’s true horror tale “The Highland Lord Brought Low” is both terrifying and heart wrenching. Grant delivers the small moments that make you hold your breath, waiting for the big, crushing moment that doesn’t always come. It’s only when you reach the end of her tale that you realize those small moments are the ones that crush.

“The Barham Offramp Playhouse” by Cody Goodfellow reads like a fever dream. All too bright colors, too loud sounds, strange moments that hover on the precipice of reality and hallucination. While the ending is a perfect finale for the story, I had to wonder at the sudden name change from “Tim” to “Jake.” I stopped reading. I went back into the story three or four times, but still. No prior mention of a “Jake.” Maybe I’m thick, but it left me befuddled.

“Watchtower” by D.A. D’Amico is a tale of war and insanity.

“Death and the Maiden” by David Barber follows the legend of Dr. Frankenstein into the little known land of Ygor, the cliché hunchback and oft dismissed assistant. Barber avoids the pitfalls of fanfic and crafts a story that is emotionally satisfying. As a parent, this one made me shudder.

Harry Baker’s “Fat Betty” read hard and fast, and when I finished, I went back and read it again. Baker’s description of the aforementioned Black Betty is singularly horrifying. Particularly as she eats that chocolate bar.

The 2013 Flash Fiction Contest Winner Michael Wehunt took home the prize with his story “Stabat Mater.” I’ve participated in these contests for a couple of years now and never come close to Wehunt’s success despite sharing pages with him in Shock Totem. During this contest, I voted his story as my top pick. I haven’t heard from him in a while, but there hasn’t been a thing Michael has ever written that I didn’t love, and this story is no exception.

John Skipp’s “Depresso the Clown” is a disturbing reversal on the psychopathic clown story. The story closes the issue, and I don’t think there could have been a better send off. Sometimes, the monster isn’t any further than the mirror.

Among the fiction is poetry from WC Roberts, reviews designed to send you scrambling debit card in hand, John Boden and Simon Marshall Jones’ excellent feature “Bloodstain and Blue Suede Shoes,” and a conversation with one of my favorite authors Adam Cesare (check out Bone Meal Broth and Video Night).


This little ‘zine packs a lot of punch for little cost. Looking forward to many more tales from the amazing people over at Shock Totem.